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All rights reserved. August 31, 2020 "Playing for Keeps: Improvisation in the Aftermath" is an exploration of the various ways that musical improvisation can be used as a method for responding to crisis and dealing with trauma and stress. His research interests include black cultural and intellectual history, U.S. cultural history, critical race and ethnic studies, urban studies, and jazz studies. Du Bois. Adam Lowdermilk's life of recording studios and late-night gigs has been replaced by firehouses and early-morning medical-aid calls. Eric Porter is Professor of History and History of Consciousness at UC Santa Cruz. Eight essays are accompanied by 27 illustrations, including drawings inspired by Nina Simone’s political songs from Randy Duburke that feature images of Ku Klux Klan burning crosses, demonstrators demanding racial equality, police brandishing batons, and a man held in a police officer's choke-hold. Du Bois. “And then the music has been brought to the current protests in all kinds of interesting ways—from people playing recordings of politically resonant music, to improvised chanting and singing of protest songs and political anthems, to musicians taking to the streets themselves. © 2020 Copyright The Humanities Institute, The Humanities Institute All rights reserved. Humanities Building 1, Room 435 ; Robert Meister. Porter … Marcelo Dimentstein & Alejandro Dujovne: “A fragmented tradition: Jewish studies in Argentina”. Associate Professor; Phone. http://americanstudies.ucsc.edu/directory/details.php?id=4. History professor Eric Porter examines musical improvisation as a response to crisis August 31, 2020 "Playing for Keeps: Improvisation in the Aftermath" is an exploration of the various ways that musical improvisation can be used as a method for responding to crisis and dealing with trauma and stress. 831-502-7104. (UC Press), winner of a 2003 American Book Award, and The Problem of the Future World. He is the author of What Is This Thing Called Jazz? Porter College Calendar; Advisors' Scheduling Calendar Writing Center Appointments; Porter Families. 831-459-5287 (office) Email. My current book projects include an exploration of W.E.B. “And, of course, the presence of music in the protests all makes sense given the long history of improvised Black music, from jazz to hip-hop, in sustaining Black life and serving as a vehicle for political mobilization and affinity for a wide range of people,” he added. As Eric Porter points out, despite the outpouring of scholarship devoted to Du Bois, the broad range of writing he produced during the 1940s and early 1950s has not been thoroughly examined in its historical context, nor has sufficient attention been paid to the theoretical interventions he made during those years. The Problem of the Future World: W. E. B. "Just to name a few well-known cases that have helped people maintain social connections and encouraged perseverance during the Covid-19 lockdown: the balcony performances in Madrid, Milan, and other European cities, and the jazz jam sessions that happened for 80-something days in a row in front of saxophonist Ray Nathanson’s Brooklyn home. One might not be aware that Porter Alum Maya K. Rudolph of Saturday Night Live fame started her multi-faceted career as a musician with her first band, Supersauce, formed here at UCSC. The contributors include Stephanie Vos, whose “The Exhibition of Vandalizim: Improvising Healing, Politics, and Film in South Africa” looks at saxophonist/composer Zim Ngqawana and other musicians’ reaction to the burglary and vandalism of their educational institute. All Rights Reserved. Massimiliano Tomba. Refresh and try again. UC Santa Cruz, 1156 High Street, Santa Cruz, California 95064. ©2020 Regents of the University of California. Eric Porter. Du Bois. Eric Porter, Professor and Chair of American Studies, has a new publication available! August 31, 2020 "Playing for Keeps: Improvisation in the Aftermath" is an exploration of the various ways that musical improvisation can be used as a method for responding to crisis and dealing with trauma and stress. Co-edited by UC Santa Cruz history professor Eric Porter with Daniel Fischlin, the book is a collection of 12 pieces that illustrate how–in places ranging from South Africa and Egypt to the United States, Canada and the Canary Islands–improvisation provides the means for its participants to address the past and imagine the future. One prominent example of the latter is, UCSC arts, humanities professors collaborate for ‘New Orleans Suite', Sexual Violence Prevention & Response (Title IX). ©2016, Regents of the University of California. Chair - American Studies. The Problem of the Future World is a compelling reassessment of the later writings of the iconic African American activist and intellectual W. E. B. August 31, 2020 "Playing for Keeps: Improvisation in the Aftermath" is an exploration of the various ways that musical improvisation can be used as a method for responding to crisis and dealing with trauma and stress. Eric Porter is Professor of History and History of Consciousness at UC Santa Cruz. “The authors are especially attuned to the particular ways that collaborative improvisational practices--creating in the moment, together--have the capacity to build community, help people occupy and change the dynamics of public space, and generally to help people to survive and sometimes thrive amidst difficult political and social circumstances,” he added. Professor. “We’ve seen many examples of people improvising together to build community during the Covid-19 pandemic and current protests building from the movement for Black lives,” said Porter. Eric Porter. Juned M. Shaikh. All Rights Reserved. One prominent example of the latter is Late Show bandleader Jon Batiste performing at protests and leading New Orleans style second-line marches in New York City. Error rating book. “And then the music has been brought to the current protests in all kinds of interesting ways—from people playing recordings of politically resonant music, to improvised chanting and singing of protest songs and political anthems, to musicians taking to the streets themselves. ecporter@ucsc.edu ; Office Location. Engage with #ucsc. History professor Eric Porter examines musical improvisation as a response to crisis. Humanities 431 ; Office Hours T 2-4pm; Eric Porter… Santa Cruz, CA 95064. Title. Du Bois and the Race Concept at Midcentury is available from Duke University Press. Du Bois and the Race Concept at Midcentury.. Porter moves the conversation about Du Bois and race forward by building on existing work about the theorist, systematically examining his later writings, and looking at them from new perspectives, partly by drawing on recent scholarship on race, neoliberalism, and empire. Home / News and Events / News / New Faculty Publication: Eric Porter "The Problem of the Future World". Humanities Building 1, 235 ; Office Hours Fall 2020: Wednesdays, 10am to noon and by appointment; email in advance to set up Zoom meeting. jmshaikh@ucsc.edu; Office Location. Humanities Building 1, 531 ; Office … Porter locates Du Bois’s later work in relation to what he calls “the first postracial moment.” He suggests that Du Bois’s midcentury writings are so distinctive and so relevant for contemporary scholarship because they were attuned to the shape-shifting character of modern racism, and in particular to the ways that discredited racial taxonomies remained embedded and in force in existing political-economic arrangements at both the local and global levels. Co-edited by UC Santa Cruz history professor Eric Porter with Daniel Fischlin, the book is a collection of 12 pieces that illustrate how--in places ranging from South Africa and Egypt to the United States, Canada and the Canary Islands--improvisation provides the means for its participants to address the past and imagine the future. History professor Eric Porter examines musical improvisation as a response to crisis. African American Musicians as Artists, Critics, and Activists (2002); The Problem of the Future World: W.E.B. Co-edited by UC Santa Cruz history professor Eric Porter with Daniel Fischlin, the book is a collection of 12 pieces that illustrate how--in places ranging from South Africa and Egypt to the United States, Canada and the Canary Islands--improvisation provides the means for its participants to address the past and imagine the future. He is the author of What Is This Thing Called Jazz? Russell Rodriguez. Playing for Keeps additionally includes a poem by saxophonist, composer and visual artist Matana Roberts, plus two interviews—one with pianist Vijay Iyer about his work with U.S. veterans of color in dealing with war trauma, and the other with two Palestinian music educators who have used music and arts education therapeutically.

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