frank silvera jr

He was a highly successful black actor/director in the 1950s and 1960s who - because of his light-skinned appearance - transcended race and ethnicity in his performances. The Frank Silvera Writers' Workshop Foundation, Inc. was founded by actor/ director Morgan Freeman, playwright/director Garland Lee Thompson, director/ actress Billie Allen and journalist Clayton Riley in 1973. It opened on March 4, 1964, and would gross $200,000 within the year, moving to Broadway in April 1965. Official Sites. Frank Silvera Writers' Workshop Foundation, Inc., American people of Spanish-Jewish descent, Northeastern University School of Law alumni, Internet Off-Broadway Database person ID same as Wikidata, Turner Classic Movies person ID same as Wikidata, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License. - IMDb Mini Biography By: L. J. Allen-2 There was such a sense of despair and betrayal...they took it out on me," Silvera said to David Hale, theater writer for The Fresno Bee. [3] He was cast as General Huerta in Viva Zapata! Accidentally electrocuted in his kitchen on June 11, 1970 while trying to repair a garbage disposal. Frank Jr Silvera was born circa 1930, at birth place, Pennsylvania, to Frank Silvera and Jennie Silvera. They met while appearing in a stage production of Stevedore. – Garland Thompson Jr, Executive Director, Frank Silvera Writer’s Workshop About the Program 3IN3: PLAYWRIGHTING FROM PAGE TO STAGE is a playwriting experience for three writers of color that will take place over three days, with a public presentation of the work they’ve just created on the fourth day in the Skylight Gallery at the Center for Arts & Culture-Restoration. Find a Grave, database and images ( accessed ), memorial page for Frank Silvera Peixoto Jr. (20 Oct 1932–22 Apr 2013), Find a Grave Memorial no. In 2005, the workshop was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor, Michael Bloomberg. which starred Marlon Brando. They had two children, Frank, Jr. and Linda, before divorcing in 1963. He also worked at Federal Theatre and with the New Hampshire Repertory Theatre. Frank had 4 siblings: Michael Silvera and 3 other siblings. [13], "The 'man with a thousand faces' comes to Baltimore", "Silvera Gets Role of Joe in "Ann Lucasta, "Frank Silvera starred on 'Studio One' program", "Frank Silvera, Actor-Director, Electrocuted in Coast Mishap", "City Groups Get Bloomberg Gift of $20 Million". "With this upheaval it seemed to blacks and browns that Silvera was part of the package, part of the hardline takeover (at FSC). Beah Richards won critical acclaim for her performance as the lead.[8]. In 1964, Silvera and Vantile Whitfield founded the Theatre of Being, a Los Angeles-based theatre dedicated to providing black actors with non-stereotypical roles. Episode: "The Case of the Fancy Figures" s2e10. Silvera and Whitfield financed the play themselves and with donations from friends. Quarles was the sister of historian and educator Benjamin Arthur Quarles. In November 1955, he portrayed John Pope, Sr., the Italian father of Ben Gazzara and Anthony Franciosa's characters on Broadway in Michael V. Gazzo's A Hatful of Rain (a role portrayed by Lloyd Nolan on-screen), and again was praised by critics.[7]. Founder of "The Theatre of Being" which was dedicated to helping black actors get a foothold in show business. Born in Kingston, Jamaica and raised in Boston, Silvera dropped out of law school in 1934 after winning his first stage role. Silvera married actress Anna Lillian Quarles in 1942. View the profiles of people named Frank Silvera. [6] He appeared in two films directed by Stanley Kubrick, Fear and Desire (1953) and Killer's Kiss (1955). [2][3] His family emigrated to the United States when he was six-years old, settling in Boston. Silvera made his film debut in 1952. One of their first projects was producing The Amen Corner by African-American writer James Baldwin. He was a highly successful black actor/director in the 1950s and 1960s who - because of his light-skinned appearance - transcended race and ethnicity in his performances.

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